charlotte vander borght

C H A R L O T T E _ V A N D E R _ B O R G H T

c h a r l o t t e . v a n d e r . b o r g h t . 1 @ g m a i l . c o m

Exhibition view of Melody Lanes, Albert Baronian, Brussels, BE, 2023

Someone, No one, Anyone, 2022, resin, fiberglass, pigments, 37 1/4 x 20 x 18 inches (94.3 x 51 x 46 cm)

Exhibition view of Melody Lanes, Albert Baronian, Brussels, BE, 2023

Someone, No one, Anyone, 2022, resin, fiberglass, pigments, 74 1/2 x 20 x 18 inches (188.6 x 51 x 46 cm)

Exhibition view of Melody Lanes, Albert Baronian, Brussels, BE, 2023

Someone, No one, Anyone, 2022, resin, fiberglass, polyurethane foam, pigments, 111 x 46 x 20 inches (282 x 107 x 51 cm)

Exhibition view of Melody Lanes, Albert Baronian, Brussels, BE, 2023

Someone, No one, Anyone, 2022, resin, fiberglass, pigments, 37 1/4 x 20 x 18 inches (94.3 x 51 x 46 cm)

Exhibition view of Melody Lanes, Albert Baronian, Brussels, BE, 2023

Someone, No one, Anyone, 2022, resin, fiberglass, urethane, pigments, 17 x 20 x 17 1/4 inches (43 x 51 x 45 cm)

Exhibition view of Melody Lanes, Albert Baronian, Brussels, BE, 2023

Someone, No one, Anyone, 2022, resin, fiberglass, urethane, pigments, 22 3/4 x 20 x 18 inches (58 x 51 x 46 cm)

Someone, No one, Anyone, 2022, resin, fiberglass, pigments, 72 x 42 x 20 inches (183 x 107 x 50 cm)

Exhibition view of Melody Lanes, Albert Baronian, Brussels, BE, 2023

Someone, No one, Anyone, 2022, resin, fiberglass, polyurethane foam, pigments, 42 x 22 x 7 inches (107 x 56 x 18 cm)

Exhibition view of Melody Lanes, Albert Baronian, Brussels, BE, 2023

Someone, No one, Anyone, 2022, resin, fiberglass, urethane, epoxy dough, pigments, 37 x 42 x 20 inches (94 x 107 x 51 cm)

Someone, No one, Anyone, 2022, resin, fiberglass, urethane, urethane, pigments, 37 x 42 x 20 inches (94 x 107 x 51 cm)

Exhibition view of Melody Lanes, Albert Baronian, Brussels, BE, 2023

Untitled, print on micro perforated vinyl sticked on the window, 265 1/3 x 168 1/2 inches (674 x 428 cm)

Detail of Untitled

Exhibition view of The Third Kind, curated by Lola Kramer & Loup Sarion, Management Gallery, New York, USA

with Megumi Shauna Arai

Someone, No One, Anyone, 2023, resin, fiberglass, urethane, pigment, 22.5 x 22 x 17 inches (57 x 56 x 43 cm)

Exhibition view of The Third Kind, curated by Lola Kramer & Loup Sarion, Management Gallery, New York, USA

with Miranda Fengyuan Zhang and Aislinn McNamara

Someone, No One, Anyone, 2023, resin, fiberglass, wood, urethane, pigment, 55 x 38 x 21 inches (140 x 97 x 53 cm)

Exhibition view of Party In The Blitz, Mamoth Gallery, UK, 2023

Someone, No one, Anyone, 2022, resin, fiberglass, urethane, pigments, 72 x 22 x 211/2 inches (183.6 x 56 x 55 cm)

Exhibition poster for Run River, Galeria Mascota, Mexico City, MX, 2022
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Exhibition view of Run, River

Warehouse, 2022, archival, inkjet print, wood frame, 15 3/4 x 10 5/8 x 1 5/8 inches (39 x 27 x 4 cm)

Exhibition view of Run, River

Someone, No one, Anyone, 2022, resin, fiberglass, urethane, pigment, 14 x 20 x 22 inches (35.5 x 51 x 56 cm)

Someone, No one, Anyone, 2022, resin, fiberglass, urethane, pigment, H 56 1/4 x L 41 x Deep 20 inches (143 x 104 x 51 cm)

Detail of Someone, No one, Anyone, 2022

Exhibition view of Run, River

Someone, No one, Anyone, 2022, resin, fiberglass, urethane, pigment, H 69 1/2 x L 21 x Deep 18 inches (176 x 53.5 x 46 cm)

(Left) Someone, No one, Anyone, 2022, resin, fiberglass, urethane, pigment, H 60 x L 17 x Deep 18 inches (152.5 x 43.5 x 46 cm)
(Right) Someone, No one, Anyone, 2022 , resin, fiberglass, urethane, pigment, 74 1/2 x 21 x 18 inches (189.5 x 53.5 x 46 cm)

Detail of Someone, No one, Anyone, 2022

Exhibition view of Run, River

Someone, No one, Anyone, 2022, resin, fiberglass, urethane, pigment, 46 1/2 x 21 x 18 inches (118 x 53.5 x 46 cm)

Someone, No one, Anyone, 2022, resin, fiberglass, urethane, pigment, 37 1/4 x 21 x 18 inches (94.5 x 53.5 x 46 cm)

Exhibition view of Run, River

Elevators, 2022, archival inkjet print, wood frame, 19 1/2 x 13 3/8 x 1 5/8 inches (49.2 x 33.8 x 4 cm)

Exhibition view of Run, River

Exhibition view of SculptureGarden - Geneva Biennale, Geneva, CH, 2022
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MASS VIII, 2022, painted aluminium, galvanized steel, 226 x 68 x 104 cm

Detail of MASS VIII

MASS III, 2020, painted aluminium, galvanized steel, 148 x 108 x 237 cm

Exhibition view of SculptureGarden - Geneva Biennale

Detail of MASS II

Exhibition view of SculptureGarden - Geneva Biennale

MASS IX, 2020, painted aluminium, galvanized steel, 226 x 68 x 104 cm

Exhibition view of SculptureGarden - Geneva Biennale

Exhibition poster for Affinities in The Ether Wind, New Space, Liège, BE, 2021

Exhibition view of Affinities in The Ether Wind

Self-portrait, 2021, archival inkjet print, wooden frame, 50 x 31 x 3 cm

The Elevator Operator, 2021, print on textile, aluminum frame, 318 x 251 x 4 cm

Exhibition view of Affinities in The Ether Wind

Detail of Space, 2021

Exhibition view of Affinities in The Ether Wind

(Left) Space, 2021, galvanised steel, steel, 300 x 620 x 230 cm
(Right) Water Lilies (Botanical Garden of New York), 2021, print on textile, aluminum, 171 x 129 x 4 cm

Exhibition view of Affinities in The Ether Wind

Space, 2021, galvanised steel, steel, 300 x 620 x 230 cm

Detail of Space, 2021

Exhibition view of Affinities in The Ether Wind

Space, 2021, galvanised steel, steel, 285 x 325 x 300 cm

Exhibition view of Affinities in The Ether Wind

The Elevator Operator, 2021, print on textile, aluminum frame, 318 x 251 x 4 cm

Exhibition poster for Shining Flesh with Loup Sarion, A.D. NYC, New York, USA, 2021
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Exhibition view of Shining Flesh
(Left) with Sleeplessness by Loup Sarion, 2021

Exhibition view of Shining Flesh

Someone, No one, Anyone, 2021, resin, fiberglass, urethane, pigment, 21 x 19.5 x 46.5 inches

Exhibition view of Shining Flesh

Someone, No one, Anyone, 2021, resin, fiberglass, pigment, 19 x 17 x 17 inches

Exhibition view of Shining Flesh

Exhibition view of Shining Flesh
(Left) with As evening ends, Through the night dry-eyed, Where he spends his nights by Loup Sarion, 2021

Exhibition view of Shining Flesh

Someone, No one, Anyone, 2021, resin, fiberglass, pigment, 21 x 19.5 x 37.25 inches

Exhibition view of Des choses vraies qui font semblant d’être des faux-semblants curated by Michel François, Centre Wallonie-Bruxelles, Paris, FR, 2020

SPACE, 2020, steel, galvanized steel, PVC, micro perforated vinyl, 363 x 240 x 212 cm (143 x 94 1/2 x 83 1/2 inches)

SPACE, 2020, steel, galvanized steel, PVC, micro perforated vinyl, 372 x 245 x 252 cm (146 1/2 x 96 1/2 x 99 1/4 inches)

Exhibition view of Des choses vraies qui font semblant d’être des faux-semblants

Exhibition view of The Secret Life of Lobsters, CLEARING, Knokke, BE, 2020

MASS II, 2020, painted aluminium, metal, 66 3/4 x 47 x 22 inches (169.5 x 119 x 55 cm)

Exhibition view of The Secret Life of Lobsters

MASS I, 2020, painted aluminium, metal, 66 x 32 1/4 x 47 inches (168 x 82 x 119 cm)

Exhibition view of The Secret Life of Lobsters

MASS IV, 2020, painted aluminium, metal, 117 x 98 3/8 x 71 inches (297 x 250 x 180 cm)

Exhibition view of The Secret Life of Lobsters

MASS III, 2020, painted aluminium, metal, 92 3/4 x 24 3/4 x 40 1/2 inches (235.5 x 63 x 103 cm)

MASS (Apples), 2020, aluminium, micro perforated vinyl,109 x 50 x 60 cm (43 x 19 3/4 x 23 5/8 inches)

MASS (Apples), 2020, aluminium, micro perforated vinyl, 47.5 x 45.5 x 49.5 cm (18 3/4 x 18 x 19 1/2 inches)

MASS (Apples), 2020, aluminium, micro perforated vinyl, 46 x 50 x 34 cm (18 1/8 x 19 3/4 x 13 1/2 inches)

Exhibition view of Still Life, CLEARING, New York, USA, 2020

2020, 2020, pencil on paper, framed, 14 3/8 x 17 1/2 inches (36.6 x 44.3 cm)

Exhibition view of Crooked Positions with Felix Kindermann, Deborah Bowmann, 2020, Brussels
Space, 2020, print on micro-perforated vinyl, 262 x 233 cm

Exhibition view of Crooked Positions with Felix Kindermann, Deborah Bowmann, 2020, Brussels

Exhibition view of Crooked Positions

MASS, 2020, painted aluminium, 268.4 x 60 x 60 cm

Exhibition view of Crooked Positions

(Right) MASS, 2020, painted aluminium, metal, 181.7 x 117 x 23 cm
(Left) with Holding Breath by Felix Kindermann, 2020, Bronze

Negotiable, passable, crossable, traversable, 2019, print on honeycomb cardboard, vinyl (197 x 125 X 1.7 cm)

Untitled (Tuesday), 2019, polyurethane foam, fiberglass resin, aqua resin

Exhibition view of Dog Days, CLEARING, New York, USA, 2019

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Untitled (Thursday), 2019, polyurethane foam, fiberglass resin, aqua resin

Untitled (Sunday), 2019, polyurethane foam, fiberglass resin, aqua resin

Untitled (Monday), 2019, polyurethane foam, fiberglass resin, aqua resin

Exhibition view of Dog Days, CLEARING, New York, USA, 2019

Exhibition view of Le Figurant, Window, Brussels, BE

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Le Figurant, 2019, carved polyurethane foam, metal, resin, paint

Exhibition view of CHAMBRES with Carlotta Bailly Borg, curated by Michel François, Island, Bruxelles, BE

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Exhibition view of CHAMBRES with Carlotta Bailly Borg, curated by Michel François, Island, Bruxelles, BE

Exhibition view of CHAMBRES with Carlotta Bailly Borg, curated by Michel François, Island, Bruxelles, BE
(Left) Out of tune, 2019, polyurethane foam, resin clay, fiberglass resin and paint
(Right) Wall painting by Carlotta Bailly Borg

Photograph for Bunk Club publication

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Photograph for Bunk Club publication

Bunk Club zine

Exhibition poster for Fly trap, WIELS, 2017
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Exhibition view of Fly trap, WIELS, Brussels, BE, 2017

Aporrhaidae (synthetic field), 2017, cardboard, epoxy, clay, oil paint

Janthinidae (sandy soil), 2017, cardboard, epoxy, clay, oil paint

Venerupis dura (pistils jelly), 2017, cardboard, epoxy, clay, oil paint

Elsewhere, 2017, metal, foam, wood, resin, paint, silicone, LED

Milk, 2016, cardboard, wax, resin, pigment

Milk, 2015, cardboard, wax, resin, pigment

Installation view of Open, Alimentation générale, After Howl, Brussels, BE, 2017
Hello Morning Hello, 2017, cardboard, acrylic paint, varnish, wax, resin, pigment

A text by Margaux Schwarz

Installation view of Open, Alimentation générale, After Howl, Brussels, BE, 2017
Charlotte aux fraises, 2017, cardboard, polyester, acrylic, oil paint
The Cats Will Know, 2017, cardboard, wax, resin, plastic, pigment

Untitled, 2016, cardboard, wax, resin, pigment

A knife in a fridge, 2013, done by hand, vaseline, wax, steel knife

Exhibition view of Sleeping Beauty, Le Cabanon, Gent, BE, 2015
Untitled, 2015, steel (8m high), ceramic, lamp 2000W